Laugh if you want. no, go ahead.
I’ve written a small shooting script or two in the past. I’ve always wanted to shoot a real low-budget flick. The whole shebang, actors, lights locations sets, music and all the rest of it. I’ve toyed with it so much I’ve went as far as trying to rope in performers and technical folks. This is how far it usually goes though…
Me: So you wanna make this flick then?
Co-Conspiritor: I was interested, but now I’m going to look at this shiny thing over here.
See what I mean?
Anyway, since I started actually paying attention to how movies are made, and less to just the stories, I actually started noticing how they are composed and portrayed. Commentary tracks on DVDs help out LOTS. Two movies stand out as really making art of their shots (in my opinion) and they might surprise some
Number One is PI: Here is a movie that blends the music to the mood to the action. The Camera is both OUR eye and the Eye inside the mind of the character. It was so compelling.
Number Two is 187: This is a “good teacher gets revenge on bad kids” story. Watch the camera work and sound on this, it is momentous.
Tech Support Woes
Published by NiteMayr on November 26, 2002There are many unfortunates out there who have been “cutting the ends of the brisket off”1 for so long that they never asked why.
1 This refers to an old story where a new bride asks why her husband always cut the ends off brisket before cooking. The husband says that his family has always done it this way. Eventually the bride asks her mother in law why, and her mother-in-law says that her mother always did it that way, so she kept up the tradition. So, the confused young bride goes to the hospital bed of her Grandma-in-law and asks, Grandma, why do you cut the ends off of the brisket? To which the Grandma replies, ”The pan was always a little too small”