That’s some funny stuff
#WritingFromIsolationWard
Before:
Kevin was born on the mossy hills of Scotland and lived for a while in West Lothian before the mores of pre-Thatcher and REALLY pre-Oasis Great Britain sent his family across the ocean to North America. They moved here and there and Kevin did the same when he was old enough. Now he lives in London with his family and a Dog.
Kevin Wardrop is an amateur writer, amateur photographer and professional pain in the ass. He has worked in the PC support business for most of his adult life and has been accustomed to simply answering technical questions as a matter of fiat, it was his career choice after all. Now he herds cats and puppies for a living as well as babysitting the web enterprises at the heart of western industry.
Third, Wiley and the dissent claim that a nongeographical interpretation will make it difficult, perhaps impossible, for publishers (and other copyright holders) to divide foreign and domestic markets. We concede that is so. A publisher may find it more difficult to charge different prices for the same book in different geographic markets. But we do not see how these facts help Wiley, for we can find no basic principle of copyright law that suggests that publishers are especially entitled to such rights.