Kevin was born on the mossy hills of Scotland and lived for a while in West Lothian before the mores of pre-Thatcher and REALLY pre-Oasis Great Britain sent his family across the ocean to North America. They moved here and there and Kevin did the same when he was old enough. Now he lives in London with his family and a Dog.
Kevin Wardrop is an amateur writer, amateur photographer and professional pain in the ass. He has worked in the PC support business for most of his adult life and has been accustomed to simply answering technical questions as a matter of fiat, it was his career choice after all. Now he herds cats and puppies for a living as well as babysitting the web enterprises at the heart of western industry.
After about what 10 issues of “Let’s Shit on the main cast some more” we get an issue where Rick is neither a giant blubbering douche or leading his son into mortal danger. While it opens with Dale getting served as a nice leg-o-retiree but at least it’s amusing; see, Dale is laughing! It’s not all bad being kidnapped by cannibals during a zombie apocalypse, clearly there’s some kind of upside.
The Cannibals would be a nice change of pace if it wasn’t for the roving rapists from a few issues back. The Man’s inhumanity towards man plotline was pretty much settled during the climax of the fourth year with Rick losing his entire family and 75% of the main cast dying. Adding more “Oh, here’s some more people who gave up on humanity after the big die off” is just ridiculous, it might be more realistic (in comic logic) but it’s not really. People tend to bunch up in adversity and while some fall to criminality and lawlessness, the majority try to get by and survive, a cannibal community doesn’t exactly have survival in mind, does it?
Oh well, overlooking this clunker of a plot point (seriously, it just sets up more people for murder by Rick and Son and doesn’t really make them any more heroic, just bloody handed) besides all that we don’t get to hear from the magic phone in this issue (so no insight into Rick’s mental state either). There is a bit of action too, but it’s more of the “RUN AWAY” kind:
Run Away!
I won’t spoil it, since it sets up the first really badass moment we’ve seen in a while.
So thank-you Mr. Kirkman for making Issue 64 interesting, maybe the thought of a TV Series won’t seem so bad in light of an equally uplifting issue 65
Smash Up Derby are the House Band At Bootie (A Mashup Dance Party) every 2nd and 4th Saturday in San Francisco.
Mashups (or Bootie or Bootmixes) are the blending of two or more songs to produce something that still sounds like the original components in some way; but also like something new. These can be frightening , freakish Frankenstein-like infernos, or they can be entertaining or amazing sometimes beautiful.
I imagine the easy criticism of a Mashup is that it is just a rip-off and mixing of someone else’s work. In many cases this is very true, simply laying lyrics from one accapella recording ont he melody of another song, no matter how novel isn’t really making something new out of it. However, sometimes a Mashup is simply something more.
The question of course that I’m heading towards is why I enjoy Mashups so much, it’s a form of nostalgia I imagine. I like the Mashup because I like the components the remind me of something, it’s perhaps a more relevant and entertaining of the “<adjective> movie” line of movies where the components are trotted out as if to say “remember this?” but in a way that doesn’t make you want to slap Kal Penn.
Here are a couple sites to check out MAshups
Youtube – Search for “Artist Name Mashup” you’ll find something.
Sigh, yet another top ten list on Digg. Every day another list. Crappy Top Ten lists (except for cracked who seem to have a good handle on such things) are thick on the ground these days and getting thicker. Why bother with a substantive article about 80s nostalgia and the vagaries of movie production when one can just list their favorite tv shows and say “wouldn’t it be cool if Ice-T played Snarf?”
If you missed it; Ice-T played a mutant kangaroo in “Tank Girl”, it’s not a stretch to put him in a Snarf suit.
Face it; no cartoon you enjoyed as a child will ever be a great movie.
Some movie adaptions of cartoons can be “acceptable” (I’m looking at you GiJoe and Masters of the Universe) but they can easily slide into awful (you too GiJoe, Masters of the Universe and Transformers, Flintstones, Spiderman 3, Batman Forever, Catwoman, etc).
I imagine the reason for this is the same reason we can’t enjoy the same music universally because our individual tastes and cultural lenses are so unique. When someone tries to interpret why a given concept was so good, their own biases and interpretations will inevitably change the subject to meet their own vision, ruining it for everyone else who “loves it” as much as they do.
Take for example the “Addams Family” excepting the cultural touchstones that were added to the modern movie interpretations, the spirit of the original subject matter remains the same. The characters are fairly tight copies of the originals, the house is a bigger budget version of the original and while more fleshed out than the original material, there were no significant characterization changes made.
Compare this to “The Transformers” the stoic warriors from Cybertron who crashed to earth during the cretaceous period and spent millions of years in metal hibernation only to resume their fight in the modern era are replaced with pod robots who are clumsy led by a robot from Cybertron who says “My Bad” and another robot who pees on people.
This is a quality remake? No this is inevitable. Michael Bay looked at the Transformers and saw an opportunity to make his Robot Buddy movie. A metal Bad Boys.
Except Transformers isn’t about cops or drugs or LA cultural commentary; it’s about an ancient war for scarce resources on an alien planet fought by refugees. This is where any adaption for movies would fall apart except in the most skillful of hands, because if you catch my drift from before, my interpretation is probably inaccurate for the general public too.
In 10 years, someone will remake Harry Potter and the Chamber of Secrets
If someone was to remake Harry Potter as a homosexual love triangle between Snape, Draco and Harry it would still sell tickets, regardless of its fidelity to the source material. This is the state of media and storytelling. There is almost always an audience, but it takes a deft touch to reach a plurality of that audience. Even when that audience is made up of fans of the subject matter.
The Harry Potter movies may even be a great example of why Cartoon Movie Remakes are doomed to failure. Harry Potter is (for the most part) the consistent vision of a single creator telling a continuous story. Cartoons are (with few exceptions) the product of multiple creators over many years often facing competing visions and cultural pressures. Even the venerable South Park has uneven storytelling and writing, with wildly vacillating moral mores. If a cartoon that has creators and producers who are so committed can be so wildly uneven, how can a toy-driven cartoon like “Thundercats” ever hope to be captured as a widely accepted and even acclaimed live-action product?
Fans who came to a product later in life would have a much different view of it if the cultural norms that bore it were no longer remembered or relevant. GiJoe may have been about an advanced fighting force against a faceless and aggressive terrorist force, but there was a none-to-subtle “USA” vs “Russia” element that hung around it. The GiJoe comics gave Cobra a more American origin (making Cobra a domestic Terrorist organization led by a former salesman no less – how Postman). This proved to be somewhat more challenging to put on film, the producers and writers opting for “The Cobra Origin Story” instead of any concrete discussion of the Joes and their purpose (hint, in the 80s the Joes were formed to combat Cobra, or not, depending on who was at the reigns that day)
Which brings me back to my initial point, while reading this you’ve been thinking that here and there I’ve misinterpreted something about one of the cartoons or TV shows I’ve been talking about. Or more egregiously praised or condemned something that you feel was worthy of neither or both. Which is the crux of my previous piece on music and this as well. Appreciation of art or creative works is so subjective, one cannot hope to please a plurality of people without first rendering the subject so inoffensive or so bland so as to remove all unique qualities from it, unless of course the work itself IS unqiue. Remakes, by their very nature cannot be unique and instead must be reduced to their base elements in order to (if you will excuse the term) hit all the targets at once. Thus Transformers was “Names, Object labels and Basic story” and Gi-Joe is “The Origin of Cobra” and Masters of the Universe was “Set AFTER the cartoon when Skeletor has won” because faithful remakes are impossible and are avoided by the very people who make them.
If the people who purported to be such great believers were not such wetbrained morons so often; this question would be an easy softball:
“And Cain went out from the presence of the Lord, and dwelt in the land of Nod, on the east of Eden. And Cain knew his wife; and she conceived, and bore Enoch: and he built a city, and he called the name of the city, after the name of his son, Enoch.”
The story of Adam and Eve is always mis-represented as the story of all humanity; which could not be further from the truth. It is the story of the first followers of Judaism. The origin of “God’s Chosen People”. It stands to reason to think that a creation story about “the chosen people” would leave out the existence of people who live “just east of here” they weren’t chosen. Only Adam and Eve were.
OR
The next time someone says “It’s Adam and Eve not Adam and Steve” you can reply “Sure, but it’s also Eve and Cain and Eve and Cains Son and all of Cain’s brothers too, right?” Then when they are freaked out you can point them to the passage above and say:
Look dummy, the Bible isn’t a literal telling of the origin of life on earth. If anything the old testament is a Gentile-Friendly version of the Talmud minus the heavy thinking and the emphasis on waiting for the Jesus to come. It’s a set of stories the describe the struggle of the Jewish People to live up to their Deity.
Why nostalgia isn’t good for movies
Published by NiteMayr on August 11, 2009Sigh, yet another top ten list on Digg. Every day another list. Crappy Top Ten lists (except for cracked who seem to have a good handle on such things) are thick on the ground these days and getting thicker. Why bother with a substantive article about 80s nostalgia and the vagaries of movie production when one can just list their favorite tv shows and say “wouldn’t it be cool if Ice-T played Snarf?”
If you missed it; Ice-T played a mutant kangaroo in “Tank Girl”, it’s not a stretch to put him in a Snarf suit.
Face it; no cartoon you enjoyed as a child will ever be a great movie.
Some movie adaptions of cartoons can be “acceptable” (I’m looking at you GiJoe and Masters of the Universe) but they can easily slide into awful (you too GiJoe, Masters of the Universe and Transformers, Flintstones, Spiderman 3, Batman Forever, Catwoman, etc).
I imagine the reason for this is the same reason we can’t enjoy the same music universally because our individual tastes and cultural lenses are so unique. When someone tries to interpret why a given concept was so good, their own biases and interpretations will inevitably change the subject to meet their own vision, ruining it for everyone else who “loves it” as much as they do.
Take for example the “Addams Family” excepting the cultural touchstones that were added to the modern movie interpretations, the spirit of the original subject matter remains the same. The characters are fairly tight copies of the originals, the house is a bigger budget version of the original and while more fleshed out than the original material, there were no significant characterization changes made.
Compare this to “The Transformers” the stoic warriors from Cybertron who crashed to earth during the cretaceous period and spent millions of years in metal hibernation only to resume their fight in the modern era are replaced with pod robots who are clumsy led by a robot from Cybertron who says “My Bad” and another robot who pees on people.
This is a quality remake? No this is inevitable. Michael Bay looked at the Transformers and saw an opportunity to make his Robot Buddy movie. A metal Bad Boys.
Except Transformers isn’t about cops or drugs or LA cultural commentary; it’s about an ancient war for scarce resources on an alien planet fought by refugees. This is where any adaption for movies would fall apart except in the most skillful of hands, because if you catch my drift from before, my interpretation is probably inaccurate for the general public too.
In 10 years, someone will remake Harry Potter and the Chamber of Secrets
If someone was to remake Harry Potter as a homosexual love triangle between Snape, Draco and Harry it would still sell tickets, regardless of its fidelity to the source material. This is the state of media and storytelling. There is almost always an audience, but it takes a deft touch to reach a plurality of that audience. Even when that audience is made up of fans of the subject matter.
The Harry Potter movies may even be a great example of why Cartoon Movie Remakes are doomed to failure. Harry Potter is (for the most part) the consistent vision of a single creator telling a continuous story. Cartoons are (with few exceptions) the product of multiple creators over many years often facing competing visions and cultural pressures. Even the venerable South Park has uneven storytelling and writing, with wildly vacillating moral mores. If a cartoon that has creators and producers who are so committed can be so wildly uneven, how can a toy-driven cartoon like “Thundercats” ever hope to be captured as a widely accepted and even acclaimed live-action product?
Fans who came to a product later in life would have a much different view of it if the cultural norms that bore it were no longer remembered or relevant. GiJoe may have been about an advanced fighting force against a faceless and aggressive terrorist force, but there was a none-to-subtle “USA” vs “Russia” element that hung around it. The GiJoe comics gave Cobra a more American origin (making Cobra a domestic Terrorist organization led by a former salesman no less – how Postman). This proved to be somewhat more challenging to put on film, the producers and writers opting for “The Cobra Origin Story” instead of any concrete discussion of the Joes and their purpose (hint, in the 80s the Joes were formed to combat Cobra, or not, depending on who was at the reigns that day)
Which brings me back to my initial point, while reading this you’ve been thinking that here and there I’ve misinterpreted something about one of the cartoons or TV shows I’ve been talking about. Or more egregiously praised or condemned something that you feel was worthy of neither or both. Which is the crux of my previous piece on music and this as well. Appreciation of art or creative works is so subjective, one cannot hope to please a plurality of people without first rendering the subject so inoffensive or so bland so as to remove all unique qualities from it, unless of course the work itself IS unqiue. Remakes, by their very nature cannot be unique and instead must be reduced to their base elements in order to (if you will excuse the term) hit all the targets at once. Thus Transformers was “Names, Object labels and Basic story” and Gi-Joe is “The Origin of Cobra” and Masters of the Universe was “Set AFTER the cartoon when Skeletor has won” because faithful remakes are impossible and are avoided by the very people who make them.